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Film Terminology - 35 Key Concepts

Learn essential film vocabulary with 35 flashcards covering camera work, editing, lighting, sound, and narrative techniques.

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Extreme Close-Up (ECU)

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Focuses on a tiny detail or specific feature Fills the frame with an eye or a small object to create intensity. Example: The opening eye shot in Psycho.

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Close-Up (CU)

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Frames a character's face or a specific object Captures facial expressions and emotions clearly. Example: Jack Nicholson's face through the door in The Shining.

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Medium Shot (MS)

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Shows a character from the waist up Balances the subject with their immediate surroundings. Example: Standard dialogue scenes in most Hollywood dramas.

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Long Shot (LS)

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Shows the entire human body from head to toe Places the subject within their environment. Example: The iconic standoff shots in The Good, the Bad and the Ugly.

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Extreme Long Shot (ELS)

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Shows a vast landscape or exterior setting The subject is tiny or invisible compared to the environment. Example: The desert vistas in Lawrence of Arabia.

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Low Angle Shot

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Camera looks up at the subject from below Makes the subject appear powerful, heroic, or intimidating. Example: Darth Vader's introductions in Star Wars.

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High Angle Shot

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Camera looks down at the subject from above Makes the subject appear vulnerable, small, or weak. Example: Andy Dufresne in the rain in The Shawshank Redemption.

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Dutch Angle (Canted)

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Camera is tilted to one side Creates a sense of unease, disorientation, or psychological instability. Example: The distorted city streets in The Third Man.

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Bird's Eye View

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Shot from directly overhead Provides a god-like perspective or maps out a scene's geography. Example: The overhead shot of the crime scene in Taxi Driver.

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Tracking Shot (Dolly Shot)

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Camera moves alongside or follows the subject Creates a smooth, fluid sense of motion on tracks or a dolly. Example: The Copacabana entrance in Goodfellas.

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